JAPANESE MINKA LIV - PLANNING 32: HIROMA TYPE LAYOUTS 6

Last week’s post introduced the ‘middle-zashiki lineage’ hiroma-type layout (naka-zashiki-kei hiroma-gata 中座敷系広間型), and mentioned that it is considered to be one of the precursors of the wrapped-hiroma type (tori-maki hiroma-gata 取巻き広間型) layout.  The Shiina family (Shina-ke 椎名家) house in Ibaraki Prefecture, designated an important cultural property, is a surviving example of this transformation. When the house was dismantled for repair, an ink inscription reading 「延宝二年十二月三日」 (Enpou ni-nen juu-ni-gatsu mikka, the third day of the twelfth month of the second year of Enpou era, i.e. 1674) was discovered on the tenon of one of its lintel beams (sashi-gamoi 差鴨居), making it the oldest extant minka in eastern Japan of all those whose date of construction is inscribed somewhere on the building.

Its current layout is a wrapped hiroma type, as shown in the plan below, but a reconstructed layout, based on historical documents and on a survey of the traces left on its timber joints (shiguchi 仕口) undertaken at the time of the house’s repair, revealed that it was once a middle-zashiki lineage hiroma-type layout. This reconstructed plan is also shown below.

The Shiina house in its present state as a wrapped-hiroma layout.  Labelled are the earth-floored utility area (daidoko だいどこ), with ‘big door’ (о̄do 大戸) and stoves, for cooking (chо̄ri 調理), food preparation (shokuryо̄ chо̄sei 食糧調整), farm work (nо̄-sagyо̄ 濃作業), and storage (shūnо̄ 収納), processing (shori 処理), and drying (kansо̄ 乾燥) of tobacco leaves (tabako-ha 煙草葉); the ‘dining room’ (katte かって), with cupboard (todana 戸棚), for dining (shokuji 食事); the walk-in storage (shūnо̄ 収納) closet (mae-no-heya まえのへや); the hiroma, here cha-no-ma (ちゃのま), with Buddhist alcove (butsuma 仏間, marked 卍), shelves (tana たな), and firepit (the crossed square), for family time (danran 団らん), courting (kо̄sai 交際), handwork (te-shigoto 手仕事) and religious activities (shinkо̄ 信仰); the koma (こま, lit. ‘small room’) for entertaining (о̄tai 応対) and weaving on a loom (shokki or oriki 機織); the formal vestibule or ante-room (typically genkan 玄関, here genka げんか) with a broad, formal ‘step platform’ (shikidai 式台), for receiving guests (sekkyaku 接客), entertaining, and entry of important guests (shо̄kyaku 正客); the zashiki (ざしき), for ceremonies (gyо̄ji 行事), receiving guests, and sleeping (shūshin 就寝); and the bedroom (heya へや), for sleeping and storage. 

A reconstruced plan of the Shiina house in its earlier state as a ‘middle-zashiki lineage’ hiroma-type layout.  Labelled are: the earth-floored utility area (daidoko だいどこ) with ‘big door’ (о̄do 大戸) and stove, the board-floored (ita-yuka 板床) hiroma (ひろま) or chanoma (ちゃのま), with Buddhist alcove (butsuma 仏間, marked 卍); the yogoza (よござ), presumably the ‘dining-kitchen area’, with firepit, jutting out into the daidokoro; the large bedroom (nema ねま); the zashiki (ざしき) with decorative alcove (toko とこ), and the vestibule (genkan げんかん) or ‘small room’ (koma こま). 

By comparing the present layout with the earlier, we can see that the daidoko (だいどこ) has been expanded by half a ken (0.91m) to the left, the nema (ねま) has been partitioned into the heya (へや) and the mae-no-heya (まえのへや), the yogoza (よござ) has been partitioned off from the hiroma (ひろま) to become the katte (かって), the hiroma has been divided into the cha-no-ma (ちゃのま) and the koma (こま), the zashiki (ざしき) has remained largely unchanged, and the genkan (げんかん) has been extended forward with the addition of a tiled ‘lean-to’ roof and formal shikidai (式台) step platform. While the present structure is not significantly larger than the earlier, taken together the changes suggest an increase in the status and affluence of the family over time, perhaps due to tobacco farming.

Exterior view of the Shiina house.  The four papered lattice panels (shо̄ji 障子) visible in the middle and middle-right of the facade, in front of the narrow ‘verandah’ (engawa 縁側) to the koma (こま), have replaced what were once papered lattice windows in a solid wall; the large shо̄ji, running the full length of the koma, allow the use of the engawa as an extension of the interior space in fine weather, and greatly increase natural light to the koma, necessary for the weaving for which this room is used.  To the right of the shо̄ji can be seen the tiled roof over the formal entrance to the genka with its broad step platform (shikidai 式台), obscured by trees.