JAPANESE MINKA XLIII - PLANNING 21: FOUR-ROOM DWELLINGS 2

As mentioned in last week’s post, four-room layout (yon-madori 四間取り) minka can be broadly subcategorised into regular (seikei 整形) and irregular or staggered (kui-chigai 食違い) layouts. Staggered four-room layouts are themselves subcategorised as either ‘parallel stagger’ (tate-kui-chigai kata 縦食違い型, lit. ‘vertical stagger type’), layouts, where the ‘stagger’ is in the partition line parallel to the room-doma axis, or ‘perpendicular stagger’ (yoko-kui-chigai kata 横食違い型, lit. ‘horizontal stagger type’) layouts, where the stagger is in the partition line perpendicular to the room-doma boundary.

 

Comparison of a ‘perpendicular stagger’ (yoko-kui-chigai kata 横食違い型) layout (top); and a ‘parallel stagger’ (tate-kui-chigai kata 縦食違い型), layout.  The doma (not pictured) are on the right of each plan.

 

One advantage of the staggered layout, whether parallel or perpendicular, is that it offers the convenience of being able to directly access both of the ‘upper’ (kamite 上み手) or ‘rear’ rooms (the rooms furthest from the doma) from the larger of the lower (shimote 下も手) or ‘front’ rooms (the rooms adjacent to the doma). Confusingly, the terms ‘upper’ (ue or kami, 上) and ‘lower’ (shita or shimo 下) are also sometimes used to indicate ‘front’, i.e. on the facade side of the building, and ‘rear’, i.e. to the rear side of the building, away from the facade.

A comparison of staggered (kui-chigai 食違い) and regular (seikei 整形) four-room (yon-madori 四間取り) ‘facade zashiki type' (omote-zashiki gata 表座敷型) layouts illustrates the convenience of the staggered layout (on the left). In it, both the zashiki (ざしき) and the bedroom (heya へや) can be accessed directly from the larger of the doma-adjacent rooms, here the hiroma (ひろま).  In the regular layout on the right, one must pass through either the zashiki or the ‘kitchen-dining room' (katte かって) to access the bedroom (heya へや) from the ‘living room' (dei でい).  The doma (not pictured) are on the right of each plan.

In any minka, the upper rear (kamite-oku 上み手奥) corner, the position furthest from both the doma and the facade, is the most private and ‘inner’ part of the dwelling. In most four-room layouts, as in the two plan diagrams below, this position is occupied by a bedroom (here heya へや), and in front of (to the facade side of) it is a zashiki. This layout is known as omote-zashiki gata (表座敷型, lit. ‘front zashiki type’ or ‘facade zashiki’ type), as distinct from the mae-zashiki gata (前座敷型) or ‘front zashiki type’ three-room layouts covered in previous posts on three-room minka. Both omote (表) and mae (前) can be translated as ‘front’.

In other four-room layouts, the upper rear position is occupied by another zashiki; the bedroom is to the rear of the hiroma and adjacent to the doma. These layouts are known as kagi-zashiki gata (鍵座敷型, lit. ‘key zashiki type’).

Comparison of the ‘rear zashiki type' (kagi-zashiki gata 鍵座敷型) layout, on the left, with the ‘front/facade zashiki type' layout, on the right. 

Labelled: the zashiki (座敷), ‘living room' (hiroma 広間 or okami おかみ), bedroom (nebeya 寝部屋), tsugi-no-ma (次の間, lit. ‘next room', defined as ‘a room adjoining a main room'), and doma (土間).

The left column of four plans shows the development path of a three-room hiroma-gata layout.  It begins (top left plan) with three rooms: the doma-adjacent hiroma, upper rear bedroom, and facade-side zashiki.  From there it can become either of two perpendicular-stagger four-room layouts: in the plan on the left, the rear doma-adjacent room (here labelled hiroma) gains area over the facade-side doma-adjacent room (unlabelled, but a tsugi-no-ma that either supplements the functions of the zashiki, variously called the dei, de-no-ma, etc., or some kind of living room).  In the plan on the right, the front doma-adjacent room (again a hiroma) gains area, and the smaller rear doma-adjacent room (unlabelled) is a kitchen-dining room (katte, dadoko, cha-no-ma, or the like).  These layouts re-converge in the bottom plan, a regular or ta-no-ji gata (田の字型, lit. ‘rice fields character type') four-room layout.

The right column of two plans illustrates the development of the kagi-zashiki layout from staggered (top plan) to regular (bottom plan), each with ‘upper' and ‘lower' zashiki, facade-side hiroma/tsugi-no-ma, and a doma-adjacent rear bedroom.

Labelled: the doma (土間), ‘upper' (ue 上) and ‘lower' (shita 下) zashiki (座敷 or 座), ‘living room' (hiroma 広間 or 広), dining room (cha-no-ma 茶の間), and bedroom (shinjo 寝所 or 寝).

Generally speaking, perpendicular stagger (yoko-kui-chigai) layouts tend to develop out of hiroma-type (hiroma-gata) three-room layouts, while parallel stagger (tate-kui-chigai) layouts tend to evolve from front-zashiki (mae-zashiki) three-room layouts.

Hiroma-type (hiroma-gata 広間型) three-room (san-madori 3間取り) layouts tend to evolve into perpendicular stagger (yoko-kui-chigai 横食違い) four-room layouts.  Labelled: the bedroom (heya へや), zashiki (ざしき), ‘living room' (hiroma ひろま), and ‘kitchen-dining room' (katte かって).  The doma (not pictured) are on the right of each plan.

Front-zashiki type (mae-zashiki gata 前座敷型) three-room (san-madori 3間取り) layouts tend to evolve into parallel stagger (tate-kui-chigai 縦食違い) four-room layouts.  Labelled: the bedroom (nema ねま or heya へや), zashiki (ざしき), ‘kitchen-dining-family room' (daidoko だいどこ), and tsugi-no-ma, here called the kuchi-no-ma (くちのま, lit. ‘mouth room' in the sense of ‘entry', presumably to the zashiki).  The doma (not pictured) are on the right of each plan.